Game Review: Band Frontman Jason Williamson Assumes Role in Sceptical Look at Ecstasy Generation Era
The work of Bristol sound co-founder the musician-producer, this scabrous though slight debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Woodsman denying his container of cider, determined to soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one key story turn, but it leads to a comically executed chaotic run on the forest trails that dips close to folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film is in UK and Irish theaters from November 17.
